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<channel>
	<title>50 Watts</title>
	<link>http://50watts.com</link>
	<description>50 Watts</description>
	<pubDate>Thu, 10 May 2012 02:43:52 +0000</pubDate>
	<generator>http://50watts.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Joanne Oldham</title>
				
		<link>http://50watts.com/Joanne-Oldham</link>

		<comments>http://50watts.com/following/50watts.com/Joanne-Oldham</comments>

		<pubDate>Thu, 10 May 2012 02:43:52 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[may 2012, united states, joanne oldham, artist's books]]></category>

		<guid isPermaLink="false">3328168</guid>

		<description>Sammy Harkham of Family recently edited and published a wonderful 48-page zine of artwork and memoirs by Joanne Oldham. I've included some of my favorite images and passages below.
The memoir excerpts in Good Morning No. 1 are incredibly moving, and I hope the full work will be published some day. Due to Joanne's remarkable honesty and openness, her tales of growing up in Louisville in the fifties take on a heartbreaking and near mythic tone. She writes that "much of [her] adult life has been spent unraveling the tangled web of my childhood," and reading her honest words I feel closer to unraveling my own tangled web, and what more can you ask for from a book?

&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/01_joanne_oldham_good_morning_cover.jpg" border="0" width="550" height="762" width_o="550" height_o="762" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/01_joanne_oldham_good_morning_cover_o.jpg" align="left" data-mid="17088229" /&#62; "I was always disappointed with my finished art. It was never as good as I hoped it would be. At age seven, I was already judging myself by impossibly high standards; my mother, too, judged me by adult standards. In fact, I still have the Junior Art Gallery  clay sculpture; when I look at it now, I can see that it was quite accomplished for a seven year old. Now, in my early sixties, making art has been a big part of my life for years, as much of a saving grace for me as reading was when I was six. When I draw, my muse speaks to me."



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/02_joanne_oldham_good_morning.jpg" border="0" width="525" height="711" width_o="525" height_o="711" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/02_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088230" /&#62; 




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/03_joanne_oldham_good_morning.jpg" border="0" width="600" height="779" width_o="600" height_o="779" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/03_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088231" /&#62; 




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/04_joanne_oldham_good_morning.jpg" border="0" width="600" height="723" width_o="600" height_o="723" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/04_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088233" /&#62; 
"The stallions I drew were copies of one on the covers of one of the first horse stories I read, The Black Stallion, but the stories I imagined about them were different. I had listened to the cowboy stories on the radio with my grandfather after dinner. I especially liked 'Straight Arrow' and 'The Lone Ranger' because both heroes had hidden identities. In bed at night, I lay in the dark and imagined that I had a stallion like the one in my drawings, a wild stallion, wild to every one but me. He was mine, and when I whistled my secret whistle, he thundered to my side in a flash. I whistled for him to save me from bad guys or to help me save good guys from bad ones. Then I galloped away on my stallion, leaving every one dazed and wondering who that brave little girl was."




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/05_joanne_oldham_good_morning.jpg" border="0" width="525" height="630" width_o="525" height_o="630" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/05_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088234" /&#62; 




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/06_joanne_oldham_good_morning.jpg" border="0" width="525" height="686" width_o="525" height_o="686" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/06_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088235" /&#62; "At home I drew horses in pencil on the blank pages in the front and back of my books. In Miss Brooks's class we worked on art projects twice a week. I made clay finger puppets of all the puppet characters on my favorite TV show, 'Kukla, Fran and Ollie.' Kukla was a cheery little bald guy with a round nose, dots for eyes and a high, squeaky voice; Ollie, my favorite, was a friendly but naughty dragon with only one  big pointy tooth just under his pointy snout at the front of his huge mouth. I didn't care much for Fran, who was a human being, sweet but boring. There was also a snooty old woman puppet, Madame Oglepuss, who acted very glamorous, but with her huge curved nose and baggy eyes, was really ugly. When I wrote the cursive 'J' of my name at the top of  my school papers, I always made it as a profile of Madame Oglepuss."



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/08_joanne_oldham_good_morning.jpg" border="0" width="525" height="688" width_o="525" height_o="688" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/08_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088238" /&#62; 




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/10_joanne_oldham_good_morning.jpg" border="0" width="525" height="704" width_o="525" height_o="704" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/10_joanne_oldham_good_morning_o.jpg" align="left" data-mid="17088241" /&#62; 




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/Good-Morning_03a.jpg" border="0" width="600" height="461" width_o="600" height_o="461" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/Good-Morning_03a_o.jpg" align="left" data-mid="17350797" /&#62; 




&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328168/Good-Morning-1-copy-1-2.jpg" border="0" width="525" height="741" width_o="525" height_o="741" src_o="http://payload51.cargocollective.com/1/2/88505/3328168/Good-Morning-1-copy-1-2_o.jpg" align="left" data-mid="17350802" /&#62; "The collage of the baby enjoying the frolicking alligator is me and it came to me in a very positive dream about fifteen years ago. The setting was the backyard of the house I have lived in for 38 years. In the dream the alligators were playful, filled with energy and not at all frightening. I did not come to terms with my father's death until I was in my fifties, after a dream in which I was able to look into my father's coffin and see that he looked just as he had looked in life--and then I cried for him for the first time."

Press release (edition of 500 copies):Joanne Oldham has quietly been making art in a range of mediums for several decades. Though mostly known for a scattering of Bonnie ‘Prince’ Billy releases, including the iconic cover for I See a Darkness, the vast majority of this prolific artist and writer’s work has never been seen outside of her circle of family and friends. Intensely personal, warm, and often terrifying, her art is playful and mysterious, existing in a space of constant conflict. The debut issue of Good Morning dedicates the entire issue to a selection of work done over the last 25 years showcasing Oldham’s unique vision. Collages, paintings, drawings, as well as excerpts from Oldham’s memoir of growing up in the south in the 1950s are included, as well as biographical notes written by the artist herself.</description>
		
		<excerpt></excerpt>

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	</item>
		
		
	<item>
		<title>Shanghai Expression: Graphic Design in China in the 1920s and 30s</title>
				
		<link>http://50watts.com/Shanghai-Expression-Graphic-Design-in-China-in-the-1920s-and-30s</link>

		<comments>http://50watts.com/following/50watts.com/Shanghai-Expression-Graphic-Design-in-China-in-the-1920s-and-30s</comments>

		<pubDate>Tue, 08 May 2012 01:23:51 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[may 2012, china, book covers, magazines, design]]></category>

		<guid isPermaLink="false">3328295</guid>

		<description>As featured in the book Chinese Graphic Design in the Twentieth Century by Scott Minick and Jiao Ping
About half of this 160-page book is devoted to the 1920s and 30s, when the ideas of writer and artist Lu Xun were very influential, particularly on the young design professionals involved with the May Fourth Movement. My favorite factoid in the book: Lu Xun—who introduced modern woodblock techniques to China—loved the German Expressionists and Käthe Kollwitz in particular.  The authors point out that though Lu Xun taught many Western techniques, he always encouraged designers to seek inspiration in Chinese design history.

&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/02_chinese_graphic_design.jpg" border="0" width="525" height="714" width_o="525" height_o="714" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/02_chinese_graphic_design_o.jpg" align="left" data-mid="17088457" /&#62; China Sketch, December 1936
"The End of Science" (back cover)
Illustrator: Zhong-xin



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/01_chinese_graphic_design.jpg" border="0" width="525" height="714" width_o="525" height_o="714" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/01_chinese_graphic_design_o.jpg" align="left" data-mid="17088455" /&#62; China Sketch, December 1936
Designer: Tian Wu-zai



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/03_chinese_graphic_design.jpg" border="0" width="525" height="725" width_o="525" height_o="725" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/03_chinese_graphic_design_o.jpg" align="left" data-mid="17088459" /&#62; Ten Years of the Shenshi Telegraphic Dispatch Agency, c. 1930
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/05_chinese_graphic_design.jpg" border="0" width="525" height="733" width_o="525" height_o="733" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/05_chinese_graphic_design_o.jpg" align="left" data-mid="17088461" /&#62; The Short Story Magazine, August 1927.
Designer: Chen Zhi-fo



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/06_chinese_graphic_design.jpg" border="0" width="525" height="746" width_o="525" height_o="746" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/06_chinese_graphic_design_o.jpg" align="left" data-mid="17088462" /&#62; The Big Black Wolf, 1930
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/07_chinese_graphic_design.jpg" border="0" width="525" height="763" width_o="525" height_o="763" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/07_chinese_graphic_design_o.jpg" align="left" data-mid="17088463" /&#62; A Great Love, 1930
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/08_chinese_graphic_design.jpg" border="0" width="525" height="726" width_o="525" height_o="726" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/08_chinese_graphic_design_o.jpg" align="left" data-mid="17088464" /&#62; Modern Student, June 1931
Designer: Chen Zhi-fo



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/09_chinese_graphic_design.jpg" border="0" width="400" height="803" width_o="400" height_o="803" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/09_chinese_graphic_design_o.jpg" align="left" data-mid="17088465" /&#62; Book cover, 1936
Designer: Zheng Ren-ze



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/10_chinese_graphic_design.jpg" border="0" width="525" height="838" width_o="525" height_o="838" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/10_chinese_graphic_design_o.jpg" align="left" data-mid="17088466" /&#62; Children's Music, c. 1930
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/11_chinese_graphic_design.jpg" border="0" width="525" height="711" width_o="525" height_o="711" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/11_chinese_graphic_design_o.jpg" align="left" data-mid="17088467" /&#62; Art Deco-style ad, c. 1930s



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/12_chinese_graphic_design.jpg" border="0" width="525" height="759" width_o="525" height_o="759" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/12_chinese_graphic_design_o.jpg" align="left" data-mid="17088470" /&#62; Creation Monthly, 1928



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/13_chinese_graphic_design.jpg" border="0" width="525" height="721" width_o="525" height_o="721" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/13_chinese_graphic_design_o.jpg" align="left" data-mid="17088475" /&#62; Ahead of the Times, January 1931
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/14_chinese_graphic_design.jpg" border="0" width="525" height="760" width_o="525" height_o="760" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/14_chinese_graphic_design_o.jpg" align="left" data-mid="17088479" /&#62; Science and Engineering Magazine, 1935
Designer: Hong Qing



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/15_chinese_graphic_design.jpg" border="0" width="525" height="781" width_o="525" height_o="781" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/15_chinese_graphic_design_o.jpg" align="left" data-mid="17088484" /&#62; Military Magazine, April 1937



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/16_chinese_graphic_design.jpg" border="0" width="525" height="726" width_o="525" height_o="726" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/16_chinese_graphic_design_o.jpg" align="left" data-mid="17088486" /&#62; China Sketch, April 1936
"Madame Sanger in China" (Sanger was an American proponent of birth control)
Illustrator: Zhu Jin-lou



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/17_chinese_graphic_design.jpg" border="0" width="525" height="747" width_o="525" height_o="747" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/17_chinese_graphic_design_o.jpg" align="left" data-mid="17088489" /&#62; The Dividing Line in Love, 1929. 
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/18_chinese_graphic_design.jpg" border="0" width="525" height="766" width_o="525" height_o="766" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/18_chinese_graphic_design_o.jpg" align="left" data-mid="17088491" /&#62; The Ladies' Journal, October 1931
Designer: Zhang Ling-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/19_chinese_graphic_design.jpg" border="0" width="525" height="738" width_o="525" height_o="738" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/19_chinese_graphic_design_o.jpg" align="left" data-mid="17088493" /&#62; Wandering, August 1929
Designer: Tao Yuan-qing



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/20_chinese_graphic_design.jpg" border="0" width="525" height="742" width_o="525" height_o="742" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/20_chinese_graphic_design_o.jpg" align="left" data-mid="17088495" /&#62; Literature, October 1933
Designer: Chen Zhi-fo



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/21_chinese_graphic_design.jpg" border="0" width="525" height="752" width_o="525" height_o="752" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/21_chinese_graphic_design_o.jpg" align="left" data-mid="17088497" /&#62; Literature Weekly, undated issue on Russian short stories
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/22_chinese_graphic_design.jpg" border="0" width="525" height="761" width_o="525" height_o="761" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/22_chinese_graphic_design_o.jpg" align="left" data-mid="17088499" /&#62; The Ark, February 1935



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/23_chinese_graphic_design.jpg" border="0" width="525" height="756" width_o="525" height_o="756" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/23_chinese_graphic_design_o.jpg" align="left" data-mid="17088501" /&#62; Modern Woman, 1933
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/24_chinese_graphic_design.jpg" border="0" width="475" height="650" width_o="475" height_o="650" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/24_chinese_graphic_design_o.jpg" align="left" data-mid="17088504" /&#62; Shanghai Private Kaiming  Correspondence School,
Members' Club Quarterly, c. 1930
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/25_chinese_graphic_design.jpg" border="0" width="450" height="632" width_o="450" height_o="632" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/25_chinese_graphic_design_o.jpg" align="left" data-mid="17088506" /&#62; The Muddy Stream, 1931
Designer: Qian Jun-tao



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3328295/04_chinese_graphic_design_900.jpg" border="0" width="900" height="474" width_o="900" height_o="474" src_o="http://payload51.cargocollective.com/1/2/88505/3328295/04_chinese_graphic_design_o.jpg" align="left" data-mid="17088460" /&#62; New literature advertisement, c. 1937
Designer: Zhang Xue-fu

For a few more political works see the complementary post on A Journey Round My Skull: Santa Claus delivers a new child into a world of violence and death
Publisher's description:From posters and advertisements to book covers and magazines, this book presents a dazzling panoply of modern graphic design in China.

Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the center of cultural revival in the new China. We see Art Deco coming to China in the Shanghai Style, and the birth of a dynamic national design style, born of Russian Constructivism and China’s own drive for new technology. The Socialist Realist art of Mao in turn adopted folk art traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989. 150 color and 135 black-and-white photographs and illustrations.
Chinese Graphic Design in the Twentieth Century makes a nice companion to the Steven Heller's Art Deco Graphic Design series for Chronicle (though it's published by Thames &#38; Hudson).
Previously: Extraordinary early twentieth century book and magazine covers from Japan
Tweet this</description>
		
		<excerpt></excerpt>

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	</item>
		
		
	<item>
		<title>The whole world is a series of miracles</title>
				
		<link>http://50watts.com/The-whole-world-is-a-series-of-miracles</link>

		<comments>http://50watts.com/following/50watts.com/The-whole-world-is-a-series-of-miracles</comments>

		<pubDate>Wed, 02 May 2012 16:36:55 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[may 2012, japan, takeo takei, children's books, illustration]]></category>

		<guid isPermaLink="false">3320471</guid>

		<description>Illustrations from a 1928 edition of Andersen's fairy tales, from 50 Watts fave Takeo Takei

&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/01_takeo_takei_andersen_1928.jpg" border="0" width="550" height="710" width_o="550" height_o="710" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/01_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045765" /&#62; 

Bio from the Kodomo No Kuni site:Takei was born in Suwa, Nagano prefecture in 1894. After studying at the Hongo Yoga Kenkyujo (Hongo Research Institute for Western Art) he entered the Western-style art department of Tokyo Art School in 1919. He was an ardent admirer of illustrator Takehisa Yumeji and poet Kitahara Hakushu. After graduation from art school, he married in 1921 and to support his new family he began to produce illustrations for children for Kodomo no tomo [Child's Friend], a children's magazine published by Fujin no Tomo Sha. In 1922 he became one of the leading illustrators for Kodomo no kuni [Children's Land] from its inaugural issue. In 1923 he published Otogi no tamago [The Fairy's Egg], and in 1925 his first individual exhibition was held in Ginza in the heart of Tokyo. His Ramu-ramu O [King Ramu-ramu] came out in 1926. The following year, with Shimizu Yoshio, Okamoto Kiichi, Kawakami Shiro, and other illustrators contributing to the Kodomo no kuni, Takei formed the Nihon Doga Kyokai (Japan Association of Illustration for Children), as part of the effort to achieve artistic quality in illustrations for children. Following Okamoto's death, Takei succeeded him as critic and selector of illustrations submitted to Kodomo no kuni in 1931. In 1955, he became editorial adviser for the magazine Kinda bukku [Kinder Book].
I again found these images in the database of the National Diet Library. My only disappointment is that there are no dogs with eyes as big as mill-wheels.
The post title of course comes from Andersen.
Some of Takei's books have been reprinted and are available from amazon.co.jp.
Previous posts on this artist

&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/03_takeo_takei_andersen_1928.jpg" border="0" width="550" height="910" width_o="550" height_o="910" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/03_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045768" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/04_takeo_takei_andersen_1928.jpg" border="0" width="550" height="847" width_o="550" height_o="847" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/04_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045770" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/05_takeo_takei_andersen_1928.jpg" border="0" width="550" height="841" width_o="550" height_o="841" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/05_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045771" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/06_takeo_takei_andersen_1928.jpg" border="0" width="550" height="842" width_o="550" height_o="842" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/06_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045773" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/07_takeo_takei_andersen_1928.jpg" border="0" width="550" height="836" width_o="550" height_o="836" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/07_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045775" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/08_takeo_takei_andersen_1928.jpg" border="0" width="550" height="840" width_o="550" height_o="840" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/08_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045776" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/09_takeo_takei_andersen_1928.jpg" border="0" width="550" height="837" width_o="550" height_o="837" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/09_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045777" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/10_takeo_takei_andersen_1928.jpg" border="0" width="550" height="836" width_o="550" height_o="836" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/10_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045778" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/11_takeo_takei_andersen_1928.jpg" border="0" width="550" height="799" width_o="550" height_o="799" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/11_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045780" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/12_takeo_takei_andersen_1928.jpg" border="0" width="550" height="807" width_o="550" height_o="807" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/12_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045781" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/13_takeo_takei_andersen_1928.jpg" border="0" width="550" height="824" width_o="550" height_o="824" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/13_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045782" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/14_takeo_takei_andersen_1928.jpg" border="0" width="550" height="848" width_o="550" height_o="848" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/14_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045783" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/15_takeo_takei_andersen_1928.jpg" border="0" width="550" height="847" width_o="550" height_o="847" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/15_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045784" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/16_takeo_takei_andersen_1928.jpg" border="0" width="550" height="837" width_o="550" height_o="837" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/16_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045785" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/17_takeo_takei_andersen_1928.jpg" border="0" width="550" height="849" width_o="550" height_o="849" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/17_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045786" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/18_takeo_takei_andersen_1928.jpg" border="0" width="550" height="840" width_o="550" height_o="840" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/18_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045787" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/19_takeo_takei_andersen_1928.jpg" border="0" width="550" height="842" width_o="550" height_o="842" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/19_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045788" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/20_takeo_takei_andersen_1928.jpg" border="0" width="550" height="846" width_o="550" height_o="846" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/20_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045790" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/21_takeo_takei_andersen_1928.jpg" border="0" width="550" height="850" width_o="550" height_o="850" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/21_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045791" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/22_takeo_takei_andersen_1928.jpg" border="0" width="550" height="852" width_o="550" height_o="852" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/22_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045792" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/23_takeo_takei_andersen_1928.jpg" border="0" width="550" height="829" width_o="550" height_o="829" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/23_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045793" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/24_takeo_takei_andersen_1928.jpg" border="0" width="550" height="845" width_o="550" height_o="845" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/24_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045794" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/25_takeo_takei_andersen_1928.jpg" border="0" width="550" height="852" width_o="550" height_o="852" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/25_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045795" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/26_takeo_takei_andersen_1928.jpg" border="0" width="550" height="835" width_o="550" height_o="835" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/26_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045798" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/27_takeo_takei_andersen_1928.jpg" border="0" width="550" height="836" width_o="550" height_o="836" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/27_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045802" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/28_takeo_takei_andersen_1928.jpg" border="0" width="550" height="842" width_o="550" height_o="842" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/28_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045804" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/29_takeo_takei_andersen_1928.jpg" border="0" width="550" height="840" width_o="550" height_o="840" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/29_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045805" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/30_takeo_takei_andersen_1928.jpg" border="0" width="550" height="834" width_o="550" height_o="834" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/30_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045806" /&#62; 



&#60;img src="http://payload51.cargocollective.com/1/2/88505/3320471/02_takeo_takei_andersen_1928.jpg" border="0" width="600" height="901" width_o="600" height_o="901" src_o="http://payload51.cargocollective.com/1/2/88505/3320471/02_takeo_takei_andersen_1928_o.jpg" align="left" data-mid="17045767" /&#62; cover


Previous posts on this artist</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload51.cargocollective.com/1/2/88505/3320471/prt_1335933209.jpg" />

	</item>
		
		
	<item>
		<title>The Bookplate Collection: Second Half</title>
				
		<link>http://50watts.com/The-Bookplate-Collection-Second-Half</link>

		<comments>http://50watts.com/following/50watts.com/The-Bookplate-Collection-Second-Half</comments>

		<pubDate>Sun, 29 Apr 2012 14:43:26 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, bookplates]]></category>

		<guid isPermaLink="false">3289038</guid>

		<description>20 bookplates from the John Starr Stewart Ex Libris Collection at the University of Illinois Library
PK at BibliOdyssey featured bookplates from the first half of this database

&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Dachenhausen--1900.jpg" border="0" width="650" height="866" width_o="650" height_o="866" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Dachenhausen--1900_o.jpg" align="left" data-mid="16922263" /&#62; Design by A. Dachenhausen, 1900
"Coat of arms: Escutcheon parted per fess, upper part or (gold) charged with an eagle displayed sable (black), lower part paly of six gules (red) and argent (silver), charged with a banner or (gold). Heume surmounted by a deer's head argent, on either side wings paly gules and argent. Mantling. Artist's monogram lower right: AD."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Walker--Francis-W-bookplate.jpg" border="0" width="650" height="1010" width_o="650" height_o="1010" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Walker--Francis-W-bookplate_o.jpg" align="left" data-mid="16922232" /&#62; "Chimpanzee, holding in one foot a caliper, sits on a pile of books contemplating a human skull;. On one book spine: 'Darwin'; on an open book: 'Eritis sicut deus' (You will be as a god)"




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Stearns--Lutie-Eugenia-bookplate.jpg" border="0" width="650" height="886" width_o="650" height_o="886" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Stearns--Lutie-Eugenia-bookplate_o.jpg" align="left" data-mid="16922235" /&#62; Design by M. H.
"Partly bald man trapped in stocks made of two rows of books supported either side by feather pens."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Rosnyai--K--design--Hungary.jpg" border="0" width="650" height="724" width_o="650" height_o="724" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Rosnyai--K--design--Hungary_o.jpg" align="left" data-mid="16922237" /&#62; Design by K. Rosnyai
"Owl classroom: teacher owl stands beside blackboard with letters and holds open book and pointer, 6 student owls in a line attend."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/unidentified-bookplate-4.jpg" border="0" width="650" height="876" width_o="650" height_o="876" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/unidentified-bookplate-4_o.jpg" align="left" data-mid="16922264" /&#62; "Dock of books and carved waves"




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/J-Arthur-Himay.jpg" border="0" width="650" height="694" width_o="650" height_o="694" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/J-Arthur-Himay_o.jpg" align="left" data-mid="16922265" /&#62; "World globe with glasses reads an open book, text on cover and spine"




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Aiglon-Sassy--Attila--1911.jpg" border="0" width="500" height="956" width_o="500" height_o="956" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Aiglon-Sassy--Attila--1911_o.jpg" align="left" data-mid="16922234" /&#62; Design by Aiglon (Attila Sassy), 1911
"Naked woman places chaplet on head of man in robe, who points to a large skull at their feet."
Previous post on this artist




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Marguerite-Edwards--designer--1901.jpg" border="0" width="650" height="960" width_o="650" height_o="960" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Marguerite-Edwards--designer--1901_o.jpg" align="left" data-mid="16922241" /&#62; Design by Marguerite Edwards, 1901
"Snake twines around cup and torches"




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Kraus-for-Ortiz--Manuel-A.jpg" border="0" width="650" height="852" width_o="650" height_o="852" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Kraus-for-Ortiz--Manuel-A_o.jpg" align="left" data-mid="16922245" /&#62; Design by Kraus
"Printed in black on blue paper. Bird's-eye view of Lisbon."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Townsend--Harry--designer.jpg" border="0" width="500" height="964" width_o="500" height_o="964" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Townsend--Harry--designer_o.jpg" align="left" data-mid="16922247" /&#62; Design by Harry Townsend




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Brunet--L-2.jpg" border="0" width="650" height="696" width_o="650" height_o="696" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Brunet--L-2_o.jpg" align="left" data-mid="16922249" /&#62; Design by L. Brunet
"Caricature of Liszt as hand-puppet watches screeching cat claw strings of a guitar"




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Mary-Dodd--design_900.jpg" border="0" width="900" height="603" width_o="900" height_o="603" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Mary-Dodd--design_o.jpg" align="left" data-mid="16922240" /&#62; Design by Mary Dodd
"Elegantly dressed young girl is driven in a carriage past a line of poor girls."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Danielsen--Anne-M-designer-2.jpg" border="0" width="650" height="818" width_o="650" height_o="818" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Danielsen--Anne-M-designer-2_o.jpg" align="left" data-mid="16922254" /&#62; Design by Anne M. Danielsen, 1948
"Alice in Wonderland, Little Bo Peep, Snow White and the Seven Dwarfs, the bears, pigs, mice and fish in corners."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Petrasch--Alfred--1904.jpg" border="0" width="650" height="790" width_o="650" height_o="790" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Petrasch--Alfred--1904_o.jpg" align="left" data-mid="16922261" /&#62; Design by Alfred Petrasch, 1904
"Stylized house, trees and sun."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Linnig--Bernard--1903.jpg" border="0" width="650" height="849" width_o="650" height_o="849" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Linnig--Bernard--1903_o.jpg" align="left" data-mid="16866906" /&#62; Design by Bernard Linnig, 1903
"Dragon on open book, shining sun in background"




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Bethlehem--1900.jpg" border="0" width="650" height="854" width_o="650" height_o="854" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Bethlehem--1900_o.jpg" align="left" data-mid="16922236" /&#62; "Stack of books framed by wreath, top book open to picture of steam engine from early railroad."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Reed--Ralph-L--design--1902.jpg" border="0" width="650" height="810" width_o="650" height_o="810" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Reed--Ralph-L--design--1902_o.jpg" align="left" data-mid="16922243" /&#62; Design by Ralph L. Reed, 1902
"Old camera on tripod, crossed rifle and fishing pole, and books against and between two leafy trees with roots."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/H-David-design.jpg" border="0" width="550" height="870" width_o="550" height_o="870" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/H-David-design_o.jpg" align="left" data-mid="16922239" /&#62; Design by H. David
"Man in legal wig reading a manuscript at his desk, behind him a towering skeleton; on a small ledge, a fetus in a glass jar. Books with legible spine labels, incl. "Johnson', 'De motu cordis', 'Theobald's Shakespeare', 'Smollett', 'Akenside', 'Hippocrates', 'Pope's Homer', 'The Works of William Smellie'."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/Designer--Fisher--William-Edgar--b-1872--1902.jpg" border="0" width="650" height="937" width_o="650" height_o="937" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/Designer--Fisher--William-Edgar--b-1872--1902_o.jpg" align="left" data-mid="16922252" /&#62; William Edgar Fisher, 1902
"Snake winding around apple, surmounted by tree with 6 books; above, angels hanging from ribbons; kneeling naked figure looks up at the central design."




&#60;img src="http://payload49.cargocollective.com/1/2/88505/3289038/unidentified-bookplate.jpg" border="0" width="650" height="823" width_o="650" height_o="823" src_o="http://payload49.cargocollective.com/1/2/88505/3289038/unidentified-bookplate_o.jpg" align="left" data-mid="16867068" /&#62; "Masked heart and spinning top."

See all bookplate posts on 50 Watts
See the companion post at BibliOdyssey</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload49.cargocollective.com/1/2/88505/3289038/prt_1335646717.jpg" />

	</item>
		
		
	<item>
		<title>Fabric Forest Signs</title>
				
		<link>http://50watts.com/Fabric-Forest-Signs</link>

		<comments>http://50watts.com/following/50watts.com/Fabric-Forest-Signs</comments>

		<pubDate>Thu, 26 Apr 2012 16:09:40 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, poland, collage, marta pieczonko]]></category>

		<guid isPermaLink="false">3238163</guid>

		<description>Fabric collages by Marta Pieczonko, who was born in 1980 in Warsaw and lives and works in Cologne.


&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-I_900.jpg" border="0" width="699" height="595" width_o="699" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-I_o.jpg" align="left" data-mid="16587212" /&#62; "forest sign I," 2010



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-II_900.jpg" border="0" width="692" height="595" width_o="692" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-II_o.jpg" align="left" data-mid="16587213" /&#62; "forest sign II," 2010



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-III_900.jpg" border="0" width="697" height="595" width_o="697" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-III_o.jpg" align="left" data-mid="16587214" /&#62; "forest sign III," 2010



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-IV_900.jpg" border="0" width="699" height="595" width_o="699" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_znak-lesny-IV_o.jpg" align="left" data-mid="16587215" /&#62; "forest sign IV," 2010



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_rozstanie_900.jpg" border="0" width="893" height="595" width_o="893" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_rozstanie_o.jpg" align="left" data-mid="16587207" /&#62; "goodbye," 2011 (PSYCHOLOGIE HEUTE magazine)



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_praying-mantis-2008_900.jpg" border="0" width="836" height="595" width_o="836" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_praying-mantis-2008_o.jpg" align="left" data-mid="16587205" /&#62; "praying mantis," 2008 (ZWIERCIADŁO magazine)



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_cybersex_2008_900.jpg" border="0" width="900" height="580" width_o="930" height_o="600" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_cybersex_2008_o.jpg" align="left" data-mid="16587204" /&#62; "cybersex," 2008 (ZWIERCIADŁO magazine)



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_walka-I.jpg" border="0" width="593" height="595" width_o="593" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_walka-I_o.jpg" align="left" data-mid="16587208" /&#62; "fight I," 2010



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_walka-II.jpg" border="0" width="597" height="595" width_o="597" height_o="595" src_o="http://payload46.cargocollective.com/1/2/88505/3238163/marta_pieczonko_walka-II_o.jpg" align="left" data-mid="16587209" /&#62; "fight II," 2010

See all posts tagged "Poland" on 50 Watts</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload46.cargocollective.com/1/2/88505/3238163/prt_1334855493.jpg" />

	</item>
		
		
	<item>
		<title>Hallå!: 25 Vintage Posters from Sweden</title>
				
		<link>http://50watts.com/Halla-25-Vintage-Posters-from-Sweden</link>

		<comments>http://50watts.com/following/50watts.com/Halla-25-Vintage-Posters-from-Sweden</comments>

		<pubDate>Fri, 20 Apr 2012 17:32:46 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, sweden, posters, design]]></category>

		<guid isPermaLink="false">3235295</guid>

		<description>I found these posters as expired auction listings and I hope you enjoy this rather lazy image dump. Another installment of Swedish book cover design is coming soon.
See all posts tagged Sweden.

&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/PARTI-AFFISCHER--19-st--politik--frbud-4-AMAZING.jpg" border="0" width="650" height="908" width_o="650" height_o="908" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/PARTI-AFFISCHER--19-st--politik--frbud-4-AMAZING_o.jpg" align="left" data-mid="16569697" /&#62; 




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/Grnewald--exhibition-poster--1940.jpg" border="0" width="600" height="868" width_o="600" height_o="868" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/Grnewald--exhibition-poster--1940_o.jpg" align="left" data-mid="16569608" /&#62; 1940




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--tryck---Sapho---sign-Eric-Rohman-i-trycket--Stockholm-1918.jpg" border="0" width="650" height="1023" width_o="650" height_o="1023" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--tryck---Sapho---sign-Eric-Rohman-i-trycket--Stockholm-1918_o.jpg" align="left" data-mid="16569679" /&#62; "Sapho," 1918 (signed Rohman)




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISHER--litografiska-tryck--Einar-Nerman--2st--1975_900.jpg" border="0" width="900" height="646" width_o="900" height_o="646" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISHER--litografiska-tryck--Einar-Nerman--2st--1975_o.jpg" align="left" data-mid="16569680" /&#62; Einar Nerman, illustrator
Previous posts on Einar Nerman




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/Wilhelm-Kge--Tosca-poster--1920s.jpg" border="0" width="600" height="823" width_o="600" height_o="823" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/Wilhelm-Kge--Tosca-poster--1920s_o.jpg" align="left" data-mid="16569597" /&#62; Wilhelm Kåge. 1920s




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCHER--2-st--tryck---Lotteriet-fr-de-svenska-konstidkarne--resp--Journalistlotteriet---sign-Kge-i-trycket--troligen-1920-tal.jpg" border="0" width="600" height="843" width_o="600" height_o="843" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCHER--2-st--tryck---Lotteriet-fr-de-svenska-konstidkarne--resp--Journalistlotteriet---sign-Kge-i-trycket--troligen-1920-tal_o.jpg" align="left" data-mid="16569595" /&#62; Wilhelm Kåge. 1920s




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AK_3496_fullsize.jpg" border="0" width="600" height="844" width_o="600" height_o="844" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AK_3496_fullsize_o.jpg" align="left" data-mid="16569594" /&#62; Wilhelm Kåge. 1920s




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--tryck---Luftvrnsdagen-4-5-nov-1933---sign-Hkansson-i-trycket--Stockholm.jpg" border="0" width="600" height="826" width_o="600" height_o="826" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--tryck---Luftvrnsdagen-4-5-nov-1933---sign-Hkansson-i-trycket--Stockholm_o.jpg" align="left" data-mid="16569599" /&#62; Air Defense day, 1933




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/ALFRED-PROESSDORF--frbudsaffisch--1922.jpg" border="0" width="600" height="783" width_o="600" height_o="783" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/ALFRED-PROESSDORF--frbudsaffisch--1922_o.jpg" align="left" data-mid="16569598" /&#62; 




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--tryck---Landstorm-och-skytte---sign-Welamson-i-trycket--Stockholm-1916.jpg" border="0" width="600" height="844" width_o="600" height_o="844" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--tryck---Landstorm-och-skytte---sign-Welamson-i-trycket--Stockholm-1916_o.jpg" align="left" data-mid="16569604" /&#62; 1916




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--Paul-Myrn.-1900-tal.jpg" border="0" width="600" height="789" width_o="600" height_o="789" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH--Paul-Myrn.-1900-tal_o.jpg" align="left" data-mid="16569605" /&#62; Paul Myrén




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/1912-olympics-poster.jpg" border="0" width="600" height="794" width_o="600" height_o="794" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/1912-olympics-poster_o.jpg" align="left" data-mid="16623542" /&#62; 1912 Olympics poster by Olle Hjortzberg (a quite entertaining way to hide nudity)




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/swedish-poster--1900s.jpg" border="0" width="600" height="875" width_o="600" height_o="875" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/swedish-poster--1900s_o.jpg" align="left" data-mid="16569611" /&#62; 




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/-Svenska-Reklamveckan---sign-Rich.jpg" border="0" width="650" height="841" width_o="650" height_o="841" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/-Svenska-Reklamveckan---sign-Rich_o.jpg" align="left" data-mid="16569654" /&#62; 1920s




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH---Frsta-majblomman---Gteborg-1917.jpg" border="0" width="650" height="855" width_o="650" height_o="855" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/AFFISCH---Frsta-majblomman---Gteborg-1917_o.jpg" align="left" data-mid="16569669" /&#62; 1917




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/FILMAFFISCHER--2-st--Nils-Poppe-resp-Edvard-Persson--1930-40-tal-2.jpg" border="0" width="650" height="920" width_o="650" height_o="920" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/FILMAFFISCHER--2-st--Nils-Poppe-resp-Edvard-Persson--1930-40-tal-2_o.jpg" align="left" data-mid="16569690" /&#62; 1930s/40s




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/FILMAFFISCH---Intermezzo---Anders-Beckman--SF--1936.jpg" border="0" width="650" height="928" width_o="650" height_o="928" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/FILMAFFISCH---Intermezzo---Anders-Beckman--SF--1936_o.jpg" align="left" data-mid="16569689" /&#62; "Intermezzo," Anders Beckman, 1936
Also see El Tren Expreso



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/FILMAFFISCHER--2-st--Nils-Poppe-resp-Edvard-Persson--1930-40-tal_900.jpg" border="0" width="900" height="682" width_o="900" height_o="682" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/FILMAFFISCHER--2-st--Nils-Poppe-resp-Edvard-Persson--1930-40-tal_o.jpg" align="left" data-mid="16569691" /&#62; 1930s/40s




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/ANDERS-BECKMAN--9-st--affis.jpg" border="0" width="600" height="872" width_o="600" height_o="872" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/ANDERS-BECKMAN--9-st--affis_o.jpg" align="left" data-mid="16623543" /&#62; 




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/HANS-ESSELIUS--1970_900.jpg" border="0" width="900" height="637" width_o="900" height_o="637" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/HANS-ESSELIUS--1970_o.jpg" align="left" data-mid="16623531" /&#62; Hans Esselius, 1970




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/LARS-HILLERSBERG--the-war-b_900.jpg" border="0" width="900" height="575" width_o="900" height_o="575" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/LARS-HILLERSBERG--the-war-b_o.jpg" align="left" data-mid="16623533" /&#62; Lars Hillersberg, "The war between people and cars", 1971




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/ULF-RAHMBERG-1969_900.jpg" border="0" width="900" height="629" width_o="900" height_o="629" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/ULF-RAHMBERG-1969_o.jpg" align="left" data-mid="16623534" /&#62; Ulf Rahmberg, 1969
Previous post on Rahmberg: Cold War Cake
And for some background on the confrontational political imagery of 1960s Sweden, see this post on Puss Magazine



&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/JACQUES-ZADIG-2_900.jpg" border="0" width="900" height="644" width_o="900" height_o="644" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/JACQUES-ZADIG-2_o.jpg" align="left" data-mid="16623539" /&#62; Jacques Zadig exhibition poster




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/BERNDT-PETTERSSON-1969_900.jpg" border="0" width="900" height="1278" width_o="900" height_o="1278" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/BERNDT-PETTERSSON-1969_o.jpg" align="left" data-mid="16623536" /&#62; Berndt Pettersson, 1969




&#60;img src="http://payload46.cargocollective.com/1/2/88505/3235295/BERNT-CARLSSON-1968.jpg" border="0" width="600" height="863" width_o="600" height_o="863" src_o="http://payload46.cargocollective.com/1/2/88505/3235295/BERNT-CARLSSON-1968_o.jpg" align="left" data-mid="16623535" /&#62; Bernt Carlsson, 1968


See all posts tagged Sweden.</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload46.cargocollective.com/1/2/88505/3235295/prt_1334880495.jpg" />

	</item>
		
		
	<item>
		<title>Koganemaru the Dog</title>
				
		<link>http://50watts.com/Koganemaru-the-Dog</link>

		<comments>http://50watts.com/following/50watts.com/Koganemaru-the-Dog</comments>

		<pubDate>Tue, 17 Apr 2012 15:22:08 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, japan, children's books, illustration, shotaro honda]]></category>

		<guid isPermaLink="false">3211406</guid>

		<description>Illustrations by Shotaro Honda for the 1938 children's book Koganemaru (こがねまる)

&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/01_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951.jpg" border="0" width="650" height="923" width_o="650" height_o="923" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/01_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16443987" /&#62; 

Bio for Shotaro Honda (1893–1939) via Kodomo no kuni:Honda was born in Hamamatsu, Shizuoka prefecture in 1893. In 1907, at the age of fourteen, he was accepted at the Taiheiyo Gakai Kenkyujo, a school of Western-style art affiliated with the Taiheiyo Gakai (Pacific Art Society Institute) established in 1904. He studied Western-style painting under Ishii Hakutei and Ishii Toraji. At the same time, he taught himself ukiyo-e by copying works by the masters. In 1910, he won first place in a cover design contest for the magazine Shonen sekai [Boy's World]. In 1913, he started illustrating for magazines published by Hakubunkan, including Yonen gaho [Toddler's Illustrated] and Yonen sekai [Infant's World], and for the magazine Shojo [Girls] printed by Jijishinpo. In the 1920s, he was active as an established illustrator for such prominent journals as Kodomo no kuni [Children's Land], Kodomo asahi [Children's Asahi], and Kodomo no tomo [The Child's Friend]. From 1928 to 1936 he illustrated for Shonen kurabu [Boy's Club]. He was also one of the artists recruited to illustrate the well-known Nihon dowa senshu [Collected Japanese Stories] (Maruzen Co., 1926-1936) and Nihon jido bunko [Library for Japanese Children] (Arusu, 1927-1930). Among Honda's leading works are Koganemaru [Koganemaru the Dog] by Iwaya Sazanami (1938), Songoku [The Monkey King] (1939), and Songoku to Hakkai [The Monkey King and Hakkai] (1940) in the Kodansha Picture Book series.
The scans come from the database of the National Diet Library. I've previously featured three books by Takeo Takei from this collection .


&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/03_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="629" width_o="900" height_o="629" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/03_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16443990" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/05_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="629" width_o="900" height_o="629" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/05_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16443993" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/06_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="633" width_o="900" height_o="633" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/06_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16443994" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/07_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="641" width_o="900" height_o="641" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/07_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16443995" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/08_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="637" width_o="900" height_o="637" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/08_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16443996" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/12_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="629" width_o="900" height_o="629" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/12_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444002" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/16_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="629" width_o="900" height_o="629" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/16_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444009" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/17_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="632" width_o="900" height_o="632" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/17_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444010" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/19_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="628" width_o="900" height_o="628" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/19_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444013" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/19a_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="700" height="673" width_o="700" height_o="673" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/19a_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444014" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/20_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="629" width_o="900" height_o="629" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/20_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444015" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/23_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="627" width_o="900" height_o="627" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/23_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444019" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/24_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="635" width_o="900" height_o="635" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/24_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444020" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/27_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="630" width_o="900" height_o="630" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/27_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444023" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/28_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="613" width_o="900" height_o="613" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/28_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444024" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3211406/29_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_900.jpg" border="0" width="900" height="614" width_o="900" height_o="614" src_o="http://payload45.cargocollective.com/1/2/88505/3211406/29_Shotaro_Honda_Round-Beetle-Classic-Fairy-Tales-1951_o.jpg" align="left" data-mid="16444025" /&#62; 

Previous posts tagged "Japan"</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload45.cargocollective.com/1/2/88505/3211406/prt_1334637211.jpg" />

	</item>
		
		
	<item>
		<title>Lizards Don’t Eat Cheese: Vintage Cuban Book Covers</title>
				
		<link>http://50watts.com/Lizards-Don-t-Eat-Cheese-Vintage-Cuban-Book-Covers</link>

		<comments>http://50watts.com/following/50watts.com/Lizards-Don-t-Eat-Cheese-Vintage-Cuban-Book-Covers</comments>

		<pubDate>Mon, 16 Apr 2012 14:14:40 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, cuba, book covers, design]]></category>

		<guid isPermaLink="false">3180340</guid>

		<description>These book covers originally appeared as part of a "centerfold" in Gratuitous Type, "the pamphlet of typographic smut." Gratuitous Type publisher Elana Schlenker donated her photos now that the issue is out-of-print (buy issue 2 while it's available).
Elana was originally turned on to Cuban cover design during a visit to Cuba several years ago. She later researched and photographed a number of book covers designed and published there in the sixties and seventies. She noted that the majority of the books are screenprinted.
Previously: Cuban film posters by Eduardo Muñoz Bachs 

&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_13.jpg" border="0" width="525" height="800" width_o="525" height_o="800" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_13_o.jpg" align="left" data-mid="16269886" /&#62; Y un día el sol es juez (And One Day the Sun is Judge)
design by Godfredo Granados, 1976



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_17.jpg" border="0" width="525" height="783" width_o="525" height_o="783" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_17_o.jpg" align="left" data-mid="16269889" /&#62; El fabulista (The Fablist)
design by Raúl Martínez, 1973



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_05.jpg" border="0" width="525" height="792" width_o="525" height_o="792" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_05_o.jpg" align="left" data-mid="16269881" /&#62; Punto de partida (Point of Departure), 1970



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_15.jpg" border="0" width="525" height="747" width_o="525" height_o="747" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_15_o.jpg" align="left" data-mid="16269887" /&#62; El astillero (The Shipyard), 1968



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_27.jpg" border="0" width="525" height="773" width_o="525" height_o="773" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_27_o.jpg" align="left" data-mid="16270125" /&#62; La sangre (Blood), 1978



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_07.jpg" border="0" width="525" height="812" width_o="525" height_o="812" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_07_o.jpg" align="left" data-mid="16269882" /&#62; Turcious Lima, design by Alfrédo Gonzalez Rostgaard, 1969



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_11.jpg" border="0" width="525" height="725" width_o="525" height_o="725" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_11_o.jpg" align="left" data-mid="16269884" /&#62; Recopilación de textos sobre Juan Marinello (Compilation of Texts on Juan Marinello)
design by Umberto Peña, 1979



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_12.jpg" border="0" width="525" height="771" width_o="525" height_o="771" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_12_o.jpg" align="left" data-mid="16269885" /&#62; Catalogo de imprevistos (Catalog of the Unexpected)
design by Raúl Martínez, 1963



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_18.jpg" border="0" width="525" height="739" width_o="525" height_o="739" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_18_o.jpg" align="left" data-mid="16269891" /&#62; Los lagartos no comen queso (Lizards Don’t Eat Cheese)
design by Darío Mora, 1975



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_23.jpg" border="0" width="525" height="679" width_o="525" height_o="679" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_23_o.jpg" align="left" data-mid="16269892" /&#62; La vorágine (The Vortex), 1966



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_28.jpg" border="0" width="525" height="741" width_o="525" height_o="741" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_28_o.jpg" align="left" data-mid="16269893" /&#62; Del barrio y las voces (On the Neighborhood and the Voices)
design by Jacques Brouté, 1968



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_30.jpg" border="0" width="525" height="782" width_o="525" height_o="782" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_30_o.jpg" align="left" data-mid="16269894" /&#62; De los años de siembra (From the years of the harvest)
design by Darío Mora, 1977



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_32.jpg" border="0" width="525" height="778" width_o="525" height_o="778" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_32_o.jpg" align="left" data-mid="16269896" /&#62; Ensayos (Practices), 1972



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_33.jpg" border="0" width="525" height="730" width_o="525" height_o="730" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_33_o.jpg" align="left" data-mid="16269897" /&#62; La busqueda (The Search)
design by Tony Évora, 1962



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_35.jpg" border="0" width="525" height="818" width_o="525" height_o="818" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_35_o.jpg" align="left" data-mid="16269899" /&#62; El crac del 29 (The financial crash of 1929)
design by Oscar Hernández, 1969



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_38.jpg" border="0" width="525" height="733" width_o="525" height_o="733" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_38_o.jpg" align="left" data-mid="16269900" /&#62; La pata de Palo (The Foot of Palo)
design by Umberto Peña, 1967



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_39.jpg" border="0" width="525" height="712" width_o="525" height_o="712" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_39_o.jpg" align="left" data-mid="16269903" /&#62; Versiones (Versions), design by Darío Mora, 1970



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_43.jpg" border="0" width="525" height="731" width_o="525" height_o="731" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_43_o.jpg" align="left" data-mid="16269905" /&#62; Muestrario del mundo o libro de las maravillas de Boloña 
(Samples of the World or Book of the Wonders of Boloña), 1969



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_44.jpg" border="0" width="525" height="703" width_o="525" height_o="703" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_44_o.jpg" align="left" data-mid="16269906" /&#62; El barrio de las ranas alegres (The Neighborhood of Happy Frogs)
design by Darío Mora, 1969



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_46.jpg" border="0" width="525" height="727" width_o="525" height_o="727" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_46_o.jpg" align="left" data-mid="16269907" /&#62; La odilea (A satire of Homer’s Odyssey, Odisea in Spanish)
design by Jacques Brouté, 1968


Outtakes:

&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_elfin.jpg" border="0" width="525" height="720" width_o="525" height_o="720" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_elfin_o.jpg" align="left" data-mid="16269908" /&#62; El fin del caos llega quietamente
design by Darío Mora, 1971



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_matarallobo.jpg" border="0" width="525" height="880" width_o="525" height_o="880" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_matarallobo_o.jpg" align="left" data-mid="16269911" /&#62; Para matar al lobo
design by Raúl Martínez, 1971



&#60;img src="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_octavodia.jpg" border="0" width="525" height="846" width_o="525" height_o="846" src_o="http://payload44.cargocollective.com/1/2/88505/3180340/cuban_book_cover_octavodia_o.jpg" align="left" data-mid="16269912" /&#62; El octavo dia, 1964

Previously: Cuban film posters by Eduardo Muñoz Bachs 
Follow the Gratuitous Type blog</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload44.cargocollective.com/1/2/88505/3180340/prt_1334113680.jpg" />

	</item>
		
		
	<item>
		<title>Sumse Sumsebrumm</title>
				
		<link>http://50watts.com/Sumse-Sumsebrumm</link>

		<comments>http://50watts.com/following/50watts.com/Sumse-Sumsebrumm</comments>

		<pubDate>Sat, 14 Apr 2012 22:28:25 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, kinderbuch series, switzerland, children's books, illustration, heinrich strub]]></category>

		<guid isPermaLink="false">3204931</guid>

		<description>Illustrations by Heinrich Strub for Sumse Sumsebrumm (Switzerland, 1946), from the collection of Arthur van Kruining
This is an adaptation of a children's rhyme by Korney Chukovsky, I think "Boldly Buzzing Fly" (Buzzy Wuzzy?). I plan to feature a 1929 Soviet version of it soon.
Previous post on Heiri Strub. Previous posts featuring Arthur's amazing collection: The Birthday Trip and Into the world of war.

&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/01_heinrich_strub_sumse.jpg" border="0" width="600" height="837" width_o="600" height_o="837" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/01_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403288" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/02_heinrich_strub_sumse_900.jpg" border="0" width="750" height="763" width_o="750" height_o="763" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/02_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403289" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/03_heinrich_strub_sumse.jpg" border="0" width="600" height="912" width_o="600" height_o="912" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/03_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403290" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/04_heinrich_strub_sumse_900.jpg" border="0" width="750" height="687" width_o="750" height_o="687" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/04_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403292" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/05_heinrich_strub_sumse_900.jpg" border="0" width="750" height="777" width_o="750" height_o="777" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/05_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403295" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/06_heinrich_strub_sumse.jpg" border="0" width="600" height="878" width_o="600" height_o="878" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/06_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403297" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/07_heinrich_strub_sumse.jpg" border="0" width="500" height="881" width_o="500" height_o="881" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/07_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403299" /&#62; detail



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/08_heinrich_strub_sumse.jpg" border="0" width="600" height="879" width_o="600" height_o="879" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/08_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403300" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/09_heinrich_strub_sumse.jpg" border="0" width="600" height="899" width_o="600" height_o="899" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/09_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403301" /&#62; 



&#60;img src="http://payload45.cargocollective.com/1/2/88505/3204931/10_heinrich_strub_sumse.jpg" border="0" width="600" height="867" width_o="600" height_o="867" src_o="http://payload45.cargocollective.com/1/2/88505/3204931/10_heinrich_strub_sumse_o.jpg" align="left" data-mid="16403302" /&#62; 

See the full "Kinderbuch series" of German, Austrian, and Swiss children's books
See all children's books on 50 Watts</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload45.cargocollective.com/1/2/88505/3204931/prt_1334442338.jpg" />

	</item>
		
		
	<item>
		<title>Das Feuerzeug</title>
				
		<link>http://50watts.com/Das-Feuerzeug</link>

		<comments>http://50watts.com/following/50watts.com/Das-Feuerzeug</comments>

		<pubDate>Fri, 13 Apr 2012 17:42:57 +0000</pubDate>

		<dc:creator>50 Watts</dc:creator>
		
		<category><![CDATA[april 2012, kinderbuch series, switzerland, children's books, illustration, heinrich strub]]></category>

		<guid isPermaLink="false">3198756</guid>

		<description>Illustrations by Heinrich Strub for Das Feuerzeug (The Tinderbox / Fyrtøiet) by H. C. Andersen (Switzerland, 1956)
Michael at Stopping Off Place kindly donated these scans, and then the actual (eye-popping) book. If you are wondering what it could possibly be about, read the plot on wikipedia.

&#60;img src="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug.jpg" border="0" width="650" height="835" width_o="650" height_o="835" src_o="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug_o.jpg" align="left" data-mid="16372587" /&#62; 

Illustrator bio by Atlantis-Verlag ["Heinrich" is a pseudonym]:Heiri Strub was born in 1916 and trained as a typesetter, then becoming a graphic designer and a painter. From 1945, he was working as a freelance artist. He illustrated books for young adults, and modern fiction. His colourful picture books, allowing a fresh view of classic texts, are still impressive. Just as impressive as Strub‘s political biography: After Hitler‘s assumption of power, seventeen-year-old Strub joined the Youth Committee Against War and Fascism, and he still is an active trade unionist. Because he was impeded in his work by the authorities, he moved to the German Democratic Republic (East Germany) with his family in 1957. In 1971, he returned to Switzerland.
Also see this long bio in German.
I plan to feature another book by Strub tomorrow.


&#60;img src="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-3_900.jpg" border="0" width="900" height="582" width_o="900" height_o="582" src_o="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-3_o.jpg" align="left" data-mid="16372581" /&#62; 




&#60;img src="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-4_900.jpg" border="0" width="900" height="582" width_o="900" height_o="582" src_o="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-4_o.jpg" align="left" data-mid="16372582" /&#62; 




&#60;img src="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-5_900.jpg" border="0" width="900" height="576" width_o="900" height_o="576" src_o="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-5_o.jpg" align="left" data-mid="16372583" /&#62; 




&#60;img src="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-6.jpg" border="0" width="650" height="857" width_o="650" height_o="857" src_o="http://payload44.cargocollective.com/1/2/88505/3198756/das-feurerzeug-6_o.jpg" align="left" data-mid="16372584" /&#62; 




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See the full "Kinderbuch series" of German, Austrian, and Swiss children's books
See all children's books on 50 Watts</description>
		
		<excerpt></excerpt>

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	</channel>
</rss>
